integrantes

ADRIANA MACUL (São Paulo, 1977) Is an artist, founder and member of TRÍADE since 2008. Her creations transit in the frontiers between dance, performance, installation and urban intervention.
She is also the co-founder of BDT nu, transforming the act of recording a TV show in a series of dance spectacles [BDT Dance Television Bienal 2017]. In 2023 this research unfolds in AA Artistas Anônimos. Among her solo projects, it’s worth highlighting CorpoDiva (2010) and Corpopop (2012), which researches emerge from the relationship between dance and mass culture, questioning the construction of the body as a marketing product. As to Pender-se (2014, researches the illusion of verticality as stability and as an unquestionable symbol of power. She has also collaborated with Núcleo DR from 2010 to 2014 (play CRISE). She has worked in the Vocational Program of the Secretaria Municipal de Cultura de São Paulo, from 2008 to 2013. Has been contemplated with Programa de Fomento à Dança, PROAC, Funarte Klauss Viana, Caixa Cultural and Circuito Paulista de Dança at MIS. Has a degree in Theatre by Philippe Gaulier School (Paris) and Somatic Education of Movement by School of Body Mind Centering ®.

MARIANA VAZ (São Paulo, 1978) Is founder and member of TRÍADE since 2008. She is interested in the possibility of a public forum for poetic ideas that artistic work allows. The artist and researcher works between the performing and visual arts, formulating performative, narrative (documentary or fictional) or plastic devices as active meditations based on the concerns (and indignations) that everyday life evokes. Her personal work, and that of the groups of which she is a founding member, has already been recognized by important awards and public notices in Brazil and has travelled to various Brazilian states and abroad. She is co-idealizer and member of the TRÍADE nucleus (SP) and pOleirO dO bandO (SP). She wrote and directed Apnée (2019), which premiered in Paris at the Théâtre La Reine Blanche, and was also presented at the TNBA (Bordeaux) and the Danses et Continents Noirs Festival (Toulouse). She wrote and directed the children's play Família Formigueiro Casa Condomínio and directed and designed the sets for the plays Boi Ronceiro (2017), Cloro (2015) and Tão pesado quanto o céu (2013) - all written by Ricardo Inhan. She is managing partner of the production company PAROLE Produção e Criação. She is doing a PhD in Performing Arts - Theater at the University of Paris Nanterre.
She was an assistant teacher to Tica Lemos (subject "Improvisation") at the School of Dramatic Art - EAD-USP (2009 and 2010) and an artist mentor in the Vocational Program of the São Paulo Municipal Department of Culture (2012 and 2013). Graduated in Economics (USP), Master in Social Psychology (PUC-SP) and Master in Directing and Dramaturgy (University of Paris Nanterre).

MIRELLA MARINO (São Paulo, 1977) is an artist and educator with a degree in Architecture and Urbanism from USP and a Master's in Visual Arts from the same university. She has collaborated with Núcleo Tríade since 2014 and officially joined the group in 2022. She has worked in partnership with Mariana Vaz since 2011 and together they created the installation Galeria dos Sussurros, at the Cultura Inglesa Festival (2018) and the project Vou Voltar, at Escola da Cidade (2015).
She held the solo exhibition Matriz Motor at Galeria Pilar (2023) and has taken part in several group exhibitions such as the IV Printed Art Competition at the Goethe-Institut in Porto Alegre (2019), Arte Londrina (2018) and Cidade Gráfica at Itaú Cultural (2014).
She has been developing large-scale permanent interventions since 2003, often collaborating with architects. She has published two children's books with Companhia das Letrinhas: Duas Cores (2011) and Impressão das Coisas (2014), both in partnership with the artist Renata Bueno.
Her research is based on collecting, recording and translating ephemeral and disappearing elements of the urban landscape. She uses media such as drawing, photography, engraving and its developments and also the construction of three-dimensional objects, seeking to reveal images of traces, shadows and the memory of gestures and absences.

LAURA BRUNO (São Paulo, 1977). Founder and member of the Núcleo TRÍADE (2008-2014). PhD in Arts (2017) from the School of Communications and Arts of the University of São Paulo (ECA-USP), CAPES scholarship; Master of Arts (2012) from the same institution, bachelor's degree in Social Sciences (2001) from the Faculty of Philosophy, Letters and Human Sciences (FFLCH) of USP, scholarship holder of the Tutorial Teaching Program PET-CAPES. Guest lecturer at the Postgraduate Program in Performing Arts (PPGAC) at ECA-USP (2020-2023). Researcher at the Laboratory of Dramaturgies of the Body (LADCOR) at ECA-USP (2010-2022). Contemporary dance artist; creator and member of the Projeto DR (2006-2013); member of the Projeto 7x7 since its first edition (2009-2016). Recipient of awards and incentive notices: APCA (2014 and 2001), for initiative in dance and language research (respectively); Programa Rumos Dança of the Instituto Itaú Cultural (2009-2010); FUNARTE Dance Award Klauss Vianna (2012, 2011 and 2008); Award Ocupação Caixa Cultural (2012 and 2007), PE/RJ and RJ/SP (respectively); Programa Municipal de Fomento à Dança de SP (2011, 2010, 2009, 2008, 2006); PROAC - Programa de Ação Cultural do Estado de SP (2011, 2010 and 2007); Award Estímulo à Dança do Estado de SP (2003 and 2001) and Projeto Nascente USP (2001).